展厅Halls

这几间屋子不是按年代排的，也不是按题材排的。它们的次序是鲁迅自己拟的——他想编一部汉画像图录，拟了七篇十五卷的目次，书没有印成；目次据研究者整理。他本人称这部书作《汉画象考》，后人整理时多称《汉画像集》。
本次线上展精选 19 件，只填得满前三篇；后四篇留作空墙——那就是这场展的结尾。卷外另收 13 幅。
另有一套四分的方案，见 1935 年他致台静农的信。那与这七篇是先后两回事，本展不把两者拼成一份体系。 These rooms are ordered neither by date nor by subject. The order is his own: he meant to compile a catalogue of Han pictorial stone and drew up a table of contents in seven parts and fifteen fascicles. The book was never printed; the outline comes to us through scholars. He called the book Han Hua Xiang Kao; later editors mostly call it Han Hua Xiang Ji.
Nineteen works have been selected for this online exhibition — enough to fill only the first three parts. The last four are left as empty walls, and that is how the exhibition ends. Thirteen more follow, beyond the catalogue.
A different, four-way scheme appears in his letter to Tai Jingnong of 1935. It is a separate proposal, and this exhibition does not merge the two into one system.